Michael Moores norske favoritter

deus rush

Hele tre norske spillefilmer er på den amerikanske dokumentaristen Michael Moores personlige liste over de 20 beste filmene fra 2009. De usynlige, Død snø og O’Horten prises av den kjente filmskaperen. Dette skriver Moore om De usynlige:

«Friends,

The best movie I saw this year won’t be winning any awards tonight at the Oscars. It wasn’t even nominated for anything. In fact, it wasn’t even shown in the United States. Yet, I’m confident that, if you had had a chance to see it, you would likely agree with me that this is a brilliant film, a rare gem.

It’s called «Troubled Water» (not to be confused with last year’s superb Katrina doc, «Trouble the Water»). «Troubled Water» is from Norway and it is a work of art and great storytelling from the opening frame to its final fade to black. It tells the story of a young man who is paroled after spending time in prison and gets a job as a church organist. He claims to be innocent in the drowning of a child, but the boy’s mother won’t let it go.

When the film was over, I sat there amazed and wondering, «Why can’t I see movies like this all the time?» What is wrong with filmmaking, with Hollywood? Why are most films just the same old tired assembly line stuff — sequels, remakes, old TV shows turned into movies, predictable plots and storylines… «If you’ve seen the trailer, you’ve seen the movie.»

But «Troubled Water» was not like that — and therefore its distribution to the theaters of America was, in essence, doomed.»

Michael Moores norske favoritter

deus rush

Hele tre norske spillefilmer er på den amerikanske dokumentaristen Michael Moores personlige liste over de 20 beste filmene fra 2009. De usynlige, Død snø og O’Horten prises av den kjente filmskaperen. Dette skriver Moore om De usynlige:

«Friends,

The best movie I saw this year won’t be winning any awards tonight at the Oscars. It wasn’t even nominated for anything. In fact, it wasn’t even shown in the United States. Yet, I’m confident that, if you had had a chance to see it, you would likely agree with me that this is a brilliant film, a rare gem.

It’s called «Troubled Water» (not to be confused with last year’s superb Katrina doc, «Trouble the Water»). «Troubled Water» is from Norway and it is a work of art and great storytelling from the opening frame to its final fade to black. It tells the story of a young man who is paroled after spending time in prison and gets a job as a church organist. He claims to be innocent in the drowning of a child, but the boy’s mother won’t let it go.

When the film was over, I sat there amazed and wondering, «Why can’t I see movies like this all the time?» What is wrong with filmmaking, with Hollywood? Why are most films just the same old tired assembly line stuff — sequels, remakes, old TV shows turned into movies, predictable plots and storylines… «If you’ve seen the trailer, you’ve seen the movie.»

But «Troubled Water» was not like that — and therefore its distribution to the theaters of America was, in essence, doomed.»

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