3D – kinoens redning?

avatar69.jpg

James Cameron har stor tro på at 3D er redningen for kinobransjen. Variety har nylig publisert et omfattende og spennende intervju med Cameron, som i desember er klar med Avatar, den dyreste 3D-filmen noensinne.

”I believe that Godard got it exactly backwards. Cinema is not truth 24 times a second, it is lies 24 times a second. Actors are pretending to be people they’re not, in situations and settings which are completely illusory. Day for night, dry for wet, Vancouver for New York, potato shavings for snow. The building is a thin-walled set, the sunlight is a xenon, and the traffic noise is supplied by the sound designers. It’s all illusion, but the prize goes to those who make the fantasy the most real, the most visceral, the most involving. This sensation of truthfulness is vastly enhanced by the stereoscopic illusion. Especially in the types of films which have been my specialty to date, the fantasy experience is served best by a sense of detail and textural reality supporting the narrative moment by moment.” Han forteller videre: 

”The new 3-D, this stereo renaissance, not only solves all the old problems of bad projection, eyestrain, etc., but it is being used on first-class movies that are on people’s must-see lists. These are fundamental changes from what happened with the flash-in-the-pan 3-D craze of the ’50s. 3-D is also a chance to rewrite the rules, to raise ticket prices for a tangible reason, for demonstrable value-added.”

Det skal bli spennende å se om Camerons film blir noe mer enn kun underholdning der man får slengt ting i fjeset annen hvert minutt. 

3D – kinoens redning?

avatar69.jpg

James Cameron har stor tro på at 3D er redningen for kinobransjen. Variety har nylig publisert et omfattende og spennende intervju med Cameron, som i desember er klar med Avatar, den dyreste 3D-filmen noensinne.

”I believe that Godard got it exactly backwards. Cinema is not truth 24 times a second, it is lies 24 times a second. Actors are pretending to be people they’re not, in situations and settings which are completely illusory. Day for night, dry for wet, Vancouver for New York, potato shavings for snow. The building is a thin-walled set, the sunlight is a xenon, and the traffic noise is supplied by the sound designers. It’s all illusion, but the prize goes to those who make the fantasy the most real, the most visceral, the most involving. This sensation of truthfulness is vastly enhanced by the stereoscopic illusion. Especially in the types of films which have been my specialty to date, the fantasy experience is served best by a sense of detail and textural reality supporting the narrative moment by moment.” Han forteller videre: 

”The new 3-D, this stereo renaissance, not only solves all the old problems of bad projection, eyestrain, etc., but it is being used on first-class movies that are on people’s must-see lists. These are fundamental changes from what happened with the flash-in-the-pan 3-D craze of the ’50s. 3-D is also a chance to rewrite the rules, to raise ticket prices for a tangible reason, for demonstrable value-added.”

Det skal bli spennende å se om Camerons film blir noe mer enn kun underholdning der man får slengt ting i fjeset annen hvert minutt. 

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